I read an article about how people my age are struggling almost every day. I’ve tried to write about the topic repeatedly for months. I choke on my drafts every time.
A friend told me that I could write a good book on how to get work. I haven’t even started thinking about how to do it.
When people that I know who are still struggling ask me for advice, I can never offer them anything that’s useful. What worked for me could never work for anyone else.
I feel an uncomfortable sense of recognition when I read articles like this one in New York Magazine. I’ve resembled some of the characters in the story over the last few years. I know people who are like that, too: smart, formerly affluent people stuck working in strange jobs for pocket change.
I choke on my drafts because I despise writing about concepts that purport to describe people. There’s no such thing as a “generation.” There are no “millenials.” There are individuals that happened to be born during a particular year at a particular place and time.
Noreen Malone’s article only resonates with me because I come from the same milieu of New York private school-educated scions who expected to be masters of the universe because we happened to fall out of our mothers’ reproductive systems in the late 1980s in a nice neighborhood. This was not true.
It turns out that, in order to do well, you need to be capable of performing tasks, building machines, generating ideas, and collaborating with other people in order to be judged worthy of a good paycheck. Merely attaining a degree in literature doesn’t guarantee that anyone will think that you’re worth a salary.
These trend pieces — and even reports that tout economic data about how so many young people are unemployed or struggling — are useless to people in those positions.
It’s not enough for a magazine to print a true first-person narrative. Editors and writers feel a need to project a narrative onto a trend that can’t be validated. The individual is never enough for these people with no self-esteem: everything must be sorted into a collective.
I have no relationship to the category of “Americans between the ages of 18-29.” I may be a young man who was born on this land mass, but I’m not somehow a fungus that lives in a mind-meld with all of these random people. Neither is anyone that age.
We tell stories to each other to connect, to share experiences, to carry one another to where we want to go. Stories with real people and real characters are more persuasive than a bland, “generational” trend story.
Isn’t a life in and of itself compelling enough to read about? Literature is built on characters and not abstractions.
The thought process that lead to my attaining my current job began with a question that I asked myself more than a year ago:
“What does it mean that word rates have declined so much over the last decade?”
I had recently met a bearded-and-bald author in a Brooklyn coffee shop. At the time, I was in a semi-psychotic-networker mode in which I was exchanging contact information constantly with random people that I would meet in bars and coffee shops.
He told me to get the fuck out of the business.
Word rates have dropped from $8 to $4 to $2 to $1 to $0.50 or less for freelancers at magazines since the rise of the web.
I’d known this for some years already. I’d counter-acted that knowledge with egotistic machismo. I would just work harder than other people and get to where I wanted eventually.
Examining that was not easy. It entailed investing time and psychological effort into changing what I thought of myself. I’d been calling myself a “writer” for years. I was immensely proud to have paid for rent, food, and cover charges at music venues from the proceeds of my typing.
It was also motivated by my failed search for a better therapist at the same time. The best woman that I found out of a dozen charged around $800 a month. While I realized that, while I could pay her, I would probably generate more stress than I would dissipate by doing so and destroy savings.
It’s also impossible to project anything when you’re a freelancer living from gig to gig. Revenue projection is a fantasy that you use to hide from reality and gain temporary relief from the terror of impending insolvency.
To end this digression, I thought more about that price trend. For a person who loves to read about economics and finance, I’d been terrible at applying that knowledge to my career choice.
I decided that it meant that it was the world telling me that it didn’t want what I was doing very much. I would need to work harder for less money for longer for less reward than doing almost anything else.
At the time, I’d recently read many books about trading securities based on price trends. I thought about how I could act on that knowledge, without actually having enough money to invest.
I decided that I would invest my most valuable asset — myself — into some business trend that looked promising, rather than one whose wage rates seem to cut in half every two years.
So, almost two years later, I work in one of the only growing sectors of the American economy. I feel like a bizarre exception, but anyone who has ever met me would describe me like that, anyway.
Prices are tremendously dense packets of information that some of us need to be walloped with repeatedly in order to understand what they’re trying to tell us about what people want and the current structure of the economy. You don’t need to know why something is priced in a certain way to act based on all the human action that the price implies.
Prices are objective. Explaining prices is, at best, shitty fiction.
In the face of plummeting wages for freelancers, the best ‘argument’ I could muster was that it was what I wanted to do. And that was true: I wanted to do it. But prices told me that the great masses of capital did not give a fuck about how I wanted to style myself.
I decided that I could do better at meeting the market, and started reading tons of books to build my confidence enough for me to get me into an industry that isn’t shambolic.
I think (with limited justification) that plenty of people my age struggle to cross the the gap between what the adults in their lives told them that life would be like and what adult life actually is like. Child-rearing in the Western world is mostly an enterprise of preparing kids to join a circa 1955 workforce. Leaving college can be a time-warp experience, especially for those of us with a liberal arts background.
Making that transition isn’t easy, especially considering the economic gyrations that the world continues to go through. Solutions to these life-problems need to come from within, they’re not coming from a politician.